Sep 25th 2025 was such a joyful day. I was so so so happy I watched OG just by myself and what an experience was it! Asalu mind poyindi
Ila kada ah cutout ni chudalsindi manam, ee background score tho kada hype ekkinchukovalsindi – this is what the PK demands and what Sujeeth deserves.
Absolutely mind blown by how amazingly Thaman did the background score.
I loved a lot of the writing choices in OG
1. Girl’s Dad
We barely see our Telugu actors as family men. Family guys for sure, as unmarried guys flirting with a beautiful woman. Nothing wrong in that, it’s just that there’s nothing novel in that. We’ve seen it forever. I don’t recall the last time I saw a Mahesh Babu as a father or Allu Arjun as a father. And there’s so much to that side that goes unexplored. It was heart warming to see PK as a family man. A caring husband, and a doting father. And the cherry on the cake, was him being a girl’s dad. That sensitive side of men is always so wonderful and endearing to watch. It was the first time seeing him being a dad on screen and I enjoyed all the scenes he had with Tara.( Kiddos to have named the baby, ’cause usually in all our films, it’s just ‘papa’ or ‘babu’)
2. Established romance
I really liked that the relationship between OG and Kanmani is already established when we are introduced to the characters. The same choice was made in Daaku Maharaj too, and I personally liked that choice for two reasons. One, it’s usually rare to see good writing between the male and female protagonists in a telugu commercial movie. So, it’s not the most interesting thing to watch on screen. Two, when the relationship is already established,
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